Publication Details
Abstract
This research paper examines Romanticism as a form of profound intellectual and cultural protest against the rise of industrialization and mechanized modernity during the late eighteenth and nineteenth centuries. By adopting an interdisciplinary framework that combines literary studies, art history, environmental criticism and cultural theory, this paper investigates how Romantic writers and painters sought to recover the sanctity of nature in the face of urban expansion, capitalist industrialism and scientific rationalism. Particular emphasis is placed on William Wordsworth and Samuel Taylor Coleridge’s Lyrical Ballads (1798), often regarded as the foundational text of English Romanticism; and the Hudson River School movement emerging and flourishing in nineteenth-century American art.
This study argues that Romanticism was not merely an aesthetic movement but also an ideological and spiritual resistance to industrial modernity. Romantic artists and writers perceived industrialization as a force that alienated humanity from nature, emotion, imagination and spiritual consciousness. In response, they elevated landscapes, rural life and the sublime dimensions of the natural world as sacred alternatives to the mechanical culture of factories and cities. By analyzing selected poems from Lyrical Ballads alongside major Hudson River School paintings by Thomas Cole, Asher B. Durand, Frederic Edwin Church and Albert Bierstadt, the paper demonstrates how Romanticism transformed nature into a moral and spiritual sanctuary. The research also explores the ecological significance of Romantic thought and its influence on later environmental consciousness. Through the integration of critical perspectives from scholars such as M. H. Abrams, Raymond Williams, Jonathan Bate, Leo Marx and Barbara Novak, this paper highlights the enduring relevance of Romantic resistance in contemporary debates concerning environmental degradation, urbanization and technological domination.