Publication Details
Abstract
This article explores the semantic, cultural, and stylistic features of euphemisms of love in Uzbek and English literature, analyzing how writers from both traditions employ soft and indirect language to express affection, intimacy, and desire. Drawing on recent comparative studies, the research highlights that Uzbek euphemisms often arise from moral and ethical norms emphasizing modesty, while English euphemisms frequently reflect aesthetic delicacy, emotional sophistication, or social satire. Through literary examples and comparative linguistic analysis, this article demonstrates that euphemisms of love serve not only as linguistic shields against taboo themes but also as artistic devices that enrich emotional nuance and cultural expression. This research applies a qualitative comparative method. Selected literary texts from Uzbek and English traditions are analyzed to identify euphemistic expressions related to love. Since this research is based on literary analysis, the sample include selected literary texts rather than human participation. The sample consists of works by William Shakespeare and Alisher Navoi, chosen for their significant contribution to the literary representation of love and their rich use of figurative language. The texts were selected based on specific criteria, including the presence of love-related themes, the use of euphemistic and figurative expressions, and the portrayal of emotional relationships. The analysis focuses on identifying and interpreting euphemisms used to express affection, desire, and emotional intensity.